懸浮茶室作為現代茶館的精神象徵性櫥窗，更與室內的類延廊、類內院創造了空間的高度區別，猶若帶進了室外街邊的流動感與閒適，或坐或走，在遊移中富含興味；塑造在都市裡一個安靜的角落，對應外在喧鬧，採用材質皆考慮聲音的反射，達到接近禪想的舒適度，使用柔軟胚布、大量纖維紙漿作為燈光材料，在微小的空間，達到一個相對安靜的狀況。

手工纖維紙吊燈散發出奶油般的有機光澤為整體色澤定調，地面的樂土塗料—以水庫淤泥為原料所製作的防水透氣環保塗料、牆面與天花板的石灰塗料—從古代即在世界各地被廣泛運用的牆面裝飾保護塗料、特意染色氧化處理的銅製器物、柔軟純淨的胚布匹，在整體色調之外，於細節處增添許多材料本身特質。

Showcasing the spiritual essence of modern tea houses, the suspended tea room establishes a high level of spatial distinction between the indoor corridor and courtyard. As if bringing in the sense of movement and leisure from the streets outside, it arouses interest as it raises the question whether guests are sitting or walking inside.

Built in a quiet city corner, the materials utilized take into account the reflection of sound to block external noise, achieving a level of comfort close to one found in a meditative silence. Soft gray fabric and large quantities of fiber pulp were used as materials for the lighting, achieving a sense of relative quiet within the small space.

Handmade paper-fiber chandeliers shed a creamy organic light, harmonizing an overall color. For the floor, Lotus coating has been used: a waterproof, breathable, and environment-friendly material made from raw reservoir sediment. Whitewash: applied on the walls and ceiling, this paint is widely used all over the world since ancient times to protect wall decorations, especially on dyed and oxidized bronze utensils, or on soft and pure calico. Together with the overall tonality (of the space), many peculiarities of each material were added to the details.